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Ian Robert on why he loves singing and his journey so far

Ian Robert on why loves singing and his journey so far…..

Music was always around our house, my mum was a singer, we always had the radio on or records playing, my family are Scots/Irish so when we first moved here we’d have uncle’s, auntie’s, cousins and my parents friends  and their kids who would all come to our house and the Grown Up’s would sing, they took turns singing, they never watched the television and of course, there was no internet in those days, then they’d encourage us, kids, to join and we’d all take our turn singing too, we call “our own song” that we used to sing all the time, it was an amazing upbringing, so it just felt natural to pick a guitar up when I was 14 years old, we couldn’t afford lessons so I would sit by our radio with my guitar and try to pick out the chords of songs whilst they were playing, I got pretty good at it, and soon I was writing my own songs...

Do you remember the first tune you learned? 

Ooh La La by The Faces, and I still love that song to this very day, in fact, I sometimes finish my set with it, I rarely play cover songs nowadays I’d much prefer to sing and play my own songs but if I do ever do a cover song it’s pretty much always this one, I love it…

My favourite composers are those who write in a multiple of styles and genres

Who are some of your favourite composers, musicians, and bands past and present? 

My favourite composers are those who write in multiple styles and genres, people like John Lennon and Paul McCartney, I love the Beatles, and songwriters like Steve Marriot and Ronnie Lane from the Small Faces, I love Stevie Wonder, Ray Charles, Bob Dylan, The Kinks, Bob Marley, my list of the greats is almost endless. Presently my ears are firmly in places like The Last Shadow Puppets.

Are you working on any new material?

I’m  writing lots and playing loads, I have so many new songs bouncing around in my head, I’ve pretty much arranged most of them but I’m struggling a little with lyrics at the moment, I can’t seem to find the words I need for all the songs I have, but it’ll come, I won’t force it, I’ll allow the lyrics to flow when they’re ready, some songs fly out easily with lyrics and music, others take some pulling through

What’s your favourite music era? 

I love all sorts of music from all era’s, but if I had to choose an era then I always get drawn towards the ’50s and 60s – the music seemed freer and much rawer, it was like young people with music in their hearts were really given a chance and it was just about the music, the music was the only important factor, it really feels like that when I listen to those old songs, it feels like everyone involved was just doing it for the music’s sake, and they were all doing it from their hearts, it’s not like that now, certainly not in the charts, there’s a few but not nearly enough, there’s far too many fame-seekers nowadays and not enough musicians. But a change is coming, I get to work with, share stages with, and meet some amazing young musicians who would never go on those stupid “talent” seeking shows, they are out there on the streets doing their beautiful thing without care of how they look and what anyone else thinks about them, they are in the pubs and clubs and community centers all over this country playing their wonderful music without fear, so I am hopeful of change, I see it, I hear it and I feel it, and on quiet days I can almost taste it, and trust me it’s beautiful. 

Africa

DR Congo Set to Receive US-Deported Third-Country Nationals

The government of Democratic Republic of the Congo has confirmed it will begin receiving third-country nationals deported from the United States under a newly announced agreement with the administration of Donald Trump, in a move that is already raising legal and ethical questions.

In a statement issued in Kinshasa on Sunday, authorities said the transfers would commence in April, though officials declined to specify how many individuals would be accepted under the arrangement. The policy places Congo among a growing number of African states enlisted by Washington to host deportees who are not nationals of the receiving country.

 

 

Dec. 20025- D.Trump and F. Tshisekedi Signing a Treaty of Peace

Dec. 20025- D.Trump and F. Tshisekedi Signing a Treaty of Peace @Reuters

According to the Congolese government, the programme will be fully financed by the United States, with no direct cost to the national budget. Infrastructure has reportedly been prepared on the outskirts of Kinshasa to accommodate arrivals, suggesting a degree of logistical planning already underway.

The deal mirrors similar arrangements previously concluded with countries including Ghana, Cameroon, Equatorial Guinea and Eswatini. These agreements have drawn sustained criticism from legal scholars and human rights organisations, who argue that transferring deportees to third countries raises serious concerns over due process, accountability and the protection of fundamental rights.

The timing of the agreement is notable. It coincides with renewed diplomatic efforts by Washington to stabilise relations between Democratic Republic of the Congo and Rwanda, amid persistent tensions in the eastern regions. At the same time, negotiations have intensified over access to Congo’s vast reserves of critical minerals—resources that are central to global supply chains in energy transition technologies.

Taken together, the arrangement underscores a broader recalibration of US policy in central Africa, where migration control, regional security and strategic resource interests are increasingly intertwined. Critics, however, warn that such deals risk externalising immigration enforcement while placing additional strain on countries already grappling with complex domestic challenges.

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Africa

Can Winnie Odinga Win ODM’s Hearts?

Winnie Odinga’s political positioning reflects a deliberate attempt to reconcile two competing forces within the Orange Democratic Movement (ODM): the entrenched authority of legacy leadership embodied by Raila Odinga, and mounting pressure from a politically assertive, increasingly disillusioned youth constituency.

Her role in the East African Legislative Assembly provides regional stature, but her domestic challenge is institutional. She is not merely amplifying youth rhetoric; she is attempting to re-engineer ODM’s functional identity—from a historically anchored opposition vehicle into a platform capable of absorbing generational demands, particularly those of Gen Z voters focused on unemployment, governance deficits, and political inclusion.

 

Winnie Odinga- Member of East African Legislative Party (EALP), attending ODM's rally.

Winnie Odinga- Picture @ODM’s rally.

This intervention comes at a structurally sensitive moment. The Odinga family’s consolidation of control at the March 26 Special Delegates Convention signals organisational continuity, yet also reveals internal fragilities. ODM’s cohesion is increasingly contingent, with latent factionalism posing a credible threat to its electoral durability. Within this framework, Winnie Odinga’s outreach operates as both renewal strategy and pre-emptive stabilisation.

The ambiguity of ODM’s relationship with President William Ruto further complicates this recalibration. For younger constituencies, perceived proximity to executive power dilutes ODM’s oppositional credibility and creates ideological inconsistency. A party positioning itself as a counterweight to government while engaging in tacit alignment risks strategic incoherence. Winnie Odinga’s framing implicitly recognises this contradiction, though it remains politically sensitive to address directly.

Her intervention at the Linda Ground Special Delegates Convention sharpened this positioning. By elevating grassroots grievances—particularly from unemployed graduates—she reframed youth disengagement as a systemic failure of party architecture rather than generational apathy. Her critique of performative participation—limited to rallies and mobilisation—targets a structural feature of Kenyan party politics: the extraction of youth energy without corresponding inclusion in decision-making.

Her call for a “new ODM” was explicit in its direction. She urged the party to revert to its foundational ethos as a platform for the marginalised, while embedding youth participation within policy formulation and internal negotiations. This framing moves beyond symbolic inclusion toward institutional redesign—an agenda that, if implemented, would materially alter intra-party power distribution.

However, alignment with youth sentiment does not automatically convert into durable political capital. Three structural constraints remain.

First, dynastic optics. Operating within the Odinga political lineage confers visibility but also reinforces perceptions of elite continuity. Among Gen Z voters sceptical of inherited power, this creates a credibility threshold that reformist messaging alone may not overcome.

Second, institutional inertia within ODM. Senior figures, including Oburu Oginga, have signalled openness, particularly following his elevation within party leadership. Yet absent formal mechanisms—such as youth representation quotas or participatory policy frameworks—these assurances risk remaining declarative rather than operational.

Third, unresolved strategic positioning vis-à-vis the Ruto administration. Without a clearly defined stance, ODM’s internal messaging—especially to politically conscious youth—remains fragmented. A constituency oriented toward accountability is unlikely to respond to ambiguity on whether the party is oppositional or accommodative.

Analytically, Winnie Odinga’s political project is viable but conditional. Its success hinges on her capacity to translate discursive advocacy into institutional reform, while constructing a leadership identity that is distinct from, rather than derivative of, the broader Odinga legacy.

Her intervention has nonetheless catalysed a substantive debate about ODM’s future trajectory and the role of youth within Kenya’s political system. The outcome of this internal contest—between continuity and adaptation—will determine whether ODM can remain electorally relevant in an environment increasingly shaped by generational politics.

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Africa

Burundi- Latest- President Évariste Ndayishimiye Expresses Gratitude for Outpouring of Support

A series of powerful explosions, followed by sustained secondary detonations, struck the “Base” camp munitions depot in Musaga, south of the capital Bujumbura, on Tuesday evening.

According to Brigadier General Gaspard Baratuza, spokesperson for the Force de Défense Nationale du Burundi, the incident was caused by an electrical fault within the facility.

The initial explosion occurred at approximately 6:00 p.m., with intermittent detonations continuing for more than an hour. By 7:39 p.m., further blasts were still being reported, suggesting ongoing explosions of stored munitions.

 

President Ndayimishiye of Burundi

President Ndayimishiye of Burundi. Picture @PresidentNdayimishiye X’s Account

Preliminary accounts indicate that several nearby homes were destroyed and at least one fatality has been confirmed. No comprehensive official toll of casualties or material damage has yet been released.

In a statement issued shortly after the incident, President Évariste Ndayishimiye, who was in the country at the time, expressed appreciation for the messages of support received:

On behalf of the Burundian people, I wish to express my gratitude to all those who, near or far, have shown us their solidarity following the fire that occurred at one of the logistical warehouses of the Musaga military base. I also wish to reassure you that the situation is under control.”

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